Born: 26 July 1847, Cork City, County Cork
Entered: 18 January 1868, Milltown Park, Dublin
Ordained: 1881, St Beuno’s, Wales
Final Vows: 02 February 1888, St Stanislaus College, Tullabeg, County Offaly
Died: 14 April 1922, St Stanislaus College, Tullabeg, County Offaly

His brother Abraham (later Sir Abraham Sutton) was in the Noviceship for a short time. (Ent 05/07/1869; LEFT 27/12/1871; RIP 1886)

Early education at Queen’s College, Cork (UCC) and Clongowes Wood College SJ then Trinity College, Dublin

by 1870 at Aix-les-Bains France (LUGD) studying
by 1871 at Roehampton London (ANG) studying
by 1872 at Stonyhurst England (ANG) studying
by 1879 at St Beuno’s Wales (ANG) studying

◆ HIB Menologies SJ :
His brother Abraham (later Sir Abraham Sutton) was in the Noviceship for a short time. (Entered 05 July 1869; left 27 December 1871; RIP 1886) (Mayor of Cork. The Rochestown Park Hotel in Cork was built as his home).

Early Education at Clongowes. Had studied Medicine at Trinity before entered.

He was sent to Stonyhurst for Philosophy and did his Regency as a teacher first in Galway and then Tullabeg.
He was then sent to St Beuno’s for Theology.
After Ordination he made Tertianship at Dromore.
Later he taught Juniors and was a Teacher at Belvedere and Mungret.
1890 He was appointed Rector and Master of Novices at Tullabeg.
After that he was sent as Vice-Rector to Milltown, and then Rector or Vice-Rector at Mungret.
1912 He returned to Tullabeg and did some teaching of Scholastics there. He was in bad health for a number of years and he died there 14 April 1922.

◆ James B Stephenson SJ Menologies 1973

Father William Sutton 1847-1922
Fr William Sutton was born in Cork on July 26th 1847. Before entering the Society he studied medicine at Trinity College. Not for long however, for he became a Jesuit in 1868.

He was one of those who made their tertianship in Dromore. He became Master of Novices and Rector at Tullabeg in 1890. He was after Vice-Rector at Milltown and Rector of Mungret.

He had a great interest in the Bacon-Shakespeare controversy and collected a fine libraery on this topic, which is still in existence in Mungret.

A man of the deepest spirituality and ascetic character, he was also a great humorist, splendid at recreation, most kindly in disposition and paternal to his brethren as Superior.

He was in bad health for many years and died in Tullabeg on April 14th 1922.

◆ The Clongownian, 1922

Obituary

Father William Sutton SJ

The narrative of Fr Sutton's life is simple. Son of a well-known business family in Cork, he was born in 1847. After some years schooling in his native city, he was sent to Clongowes, where he remained for about two years. At Clongowes he was a steady student, but took little interest in the games. When he had finished Rhetoric, he went to Dublin to study medicine. This period of his life appears to have been less satisfactory. He took more interest in amusement than in medicine, and ever afterwards he spoke bitterly of himself as having been supremely idle. Finally, he fell very dangerously ill of typhoid fever, . His life was only saved by the devoted care of a Bon Secour nun. To her he owed more than his life. To her he owed his vocation to religion, and all his life after he entertained for her, not only the warmest gratitude, but also the deepest veneration. In 1868 he entered the Jesuit Noviceship at Milltown Park. He was then a little over twenty years of age. There was some quiet fun amongst the novices when Mr Sutton arrived. He was dressed in the very latest and choicest fashion. One article of his attire especially attracted their attention. It was an overcoat of dark green stuff, then quite in vogue. Soon, however, the brilliant overcoat paid a visit to the dye-works, and returned in very clerical black. After his noviceship, Mr Sutton made his studies of Rhetoric, Philosophy and Theology, almost exclusively in Our English houses of study. He was ordained priest at St Beuno's, North Wales, in 1882. Towards the end of that year he was sent to Mungret College, which was just then opened. After two years' teaching there he was sent to Dromore as Assistant Master of Novices. In 1888 he returned to Mungret as Prefect of Studies and Master. In 1890 he was appointed Master of Novices until 1895, when he was made Rector of Milltown Park and Professor of Theology. This latter position he held for two years, when he was devoted exclusively to his duties as Rector. In 1903 he was sent back to Mungret as Vice-Rector, but this post he had to resign after two years owing to failing health, and he was occupied exclusively in teaching until 1910, when he was sent to Tullabeg. By this time his health had become so broken down that he was unable to undertake active work. Gradually, but very steadily, his infirmities increased, although his courage, resignation and robust cheerfulness, seemed rather to increase than to fail, until after some months of intense suffering he slept in the peace of Christ on the 14th April, 1922, in his 76th year,

It is no easy task to attempt to write a memoir of Fr Sutton. It is not indeed that his life was not one of high distinction and remarkable results. He was a man of great talent, great character, and his work was fruitful in rich and blessed harvest. But, while all this was thoroughly appreciated and honoured by the Jesuits who knew him, his career led him along quiet paths where no great events of public importance startled the attention of the outside world and where no flashes of unwonted splendour or no achievements of historic note dazzled or delighted the mind or soul of the stranger or of the passerby. His was always a student's life. It was also, after his early years spent in learning Literature, Philosophy and Theology, the life of a teacher. He was always a constant and most thoughtful reader, nor was he ever satisfied to live on the capital of knowledge which he had amassed. After that he had been Professor of English and Classic Literature, of Philosophy and Theology, he was a student still. Nor yet again was his labour confined to the limits of human and sacred learning. He entered into the wide and exalted sphere of the science of the soul itself. As Master of Novices for many years he was a devout student of asceticism, and a wise ex pounder of the principles, as well as an experienced guide in the exercises of the science of spiritual life.

In Holy Scripture his favourite study was the Book of Wisdom, which he almost knew by heart, and which he quoted constantly and very appropriately applied. On one occasion a Jesuit Father was passing through Thurles and called on Dr Croke to present his respects. As they were chatting together in the great Archbishop's study, the latter said to him: “Your Father William Sutton has been giving their eight day Retreat to the Nuns next door. Each evening he came in to pay me a visit, and for an hour or two he would sit in that armchair distilling wisdom”.

Amongst profane authors, Father Sutton loved Shakespeare most. He knew innumerable long passages perfectly by heart, and during the long walks which he frequently took while at Mungret, Tullabeg or Milltown Park, he used to brighten and refresh himself by repeating some of them aloud. Yet he was a convinced and redoubtable Baconian. On the occasion of the great Centenary at Stonyhurst, Father Sutton, who was then Rectorat Milltown Park, was a welcome and honoured guest. One day at Recreation a number of eminent English Fathers, devout worshippers of William Shakespeare, knowing that Father Sutton held that Bacon was the real Author of the Plays, subjected himn to a fierce bombardment. An Irish Father present suggested that it was a matter not for eloquent denunciation but for argument. Whether Father Sutton's view was right or wrong, he had so thoroughly mastered both sides of the question that he succeeded in completely silencing the enemies batteries.

There are many who only knew one side of Father Sutton's character. He had an intense and delightful sense of humour. He could be most genial in conversation, and very few could tell a quaint or witty story or bring out the real point of a witticism as well as he could. He was most good humoured, and he had a deep natural fund of sympathy. He was also delightfully and unswervingly straight and just, and a most loyal champion of fair play. But there was another aspect of his character not known to all, even of those friends who had lived long with him. Underneath it all there was a deep, dark and almost constant feeling of depression. He had his dismal moments, and they were both frequent and enduring. He was able, with the aid of a sort of philosophic cynicism, to battle with them but not to brighten them. The only sunshine that brought brightness and joy into his life was his child-like Faith and his “indomitable” trust in the truth and love of the Supernatural. Amongst many articles which he contributed to the Irish Monthly, there was one on “Looking on the Bright Side”. To one very great friend of his who had known himn intimately from boyhood until his death, this essay was sadly amusing. It came to this: “Life at the very best is a bad job. Try to make the best of it”.

Father Sutton was not an orator. He could speak with great emphasis and impressiveness. The intensity of his conviction exercised its magnetism upon his hearers, but his style was rough, frequently out of joint and jerky, It is strange that one who so thoroughly appreciated and enjoyed the great Classic and English Authors should not have gained from the reading of them more sense of smoothness, rhythm and beauty. Yet, after all, there is room not merely for varieties, but even for vast differences in style, and what to one may seemn uncouth, ponderous, or even discordant, may by that very fact gain an entry into minds that would be made suspicious, or per haps hostile, if the meaning were clothed in a literary garb of exquisite taste and faultless loveliness.

In spite of the intense pain and unnerving exhaustion from dropsy and heart disease, Father Sutton's death was a very happy one. For months he had looked forward with unclouded calm of mind and deep longing of the soul to his death. It was a sunset which lit up with supernatural radiance and super natural anticipation of the great day to dawn, the long and meritorious life which he was giving through his death-sleep unto God. RIP

Robert Kane SJ

◆ The Mungret Annual, 1922

Obituary

Father William Sutton SJ

Rev W Sutton, a native of Cork, was but a little over twenty years of age, and at the time a medical student in Dublin, when, in 1868, he entered the Society of Jesus. He made most of his studies at St Bueno's Theological Seminary, Wales. Having been ordained priest, he was sent by his superiors to Mungret College in 1882. The College was being opened by the Jesuit Fathers for the first time in the September of that year. Fr Sutton at the time of his death was almost the last survivor of the community that took part in the opening. Only the Rev Joseph de Maistre SJ, now remains of the Mungret community of that year. Fr de Maistre was then a young scholastic, and happily is still alive and working as a priest of the Society of Jesus in Paris. Fr Sutton remained in Mungtet for two years as Master, and Prefect of Studies. In 1884 he went to Dromore, where the Noviceship of the Irish Province then was, to do his third year probation and act as assistant to the Master of Novices. He returned to Mungret in 1888 to resume his former post, which he retained till he was appointed to the important position of Master of Novices at Tullabeg in 1890.

Of the students who were in Mungret under Fr Sutton's direction the greater number are now priests, some working in the diocese of Limerick; many in different dioceses of the United States, while not a few are members of the Society of Jesus, or other religious orders. All probably without exception, would gladly acknowledge the great influence Fr Sutton exercised on their carly formation. As teacher and Prefect of Studies he was exceptionally kind and genial. He rarely if ever exercised or tried to exercise any coercive force. But his great store of common sense, his well-balanced judgment, his pre-eminent sense of justice and fair play, and his love of straight and manly dealing gave him great influence with all those under his care, and tended strongly to evoke and develop these same qualities in them. Above all, his wide and varied culture and his scholarly mind had a deep and lasting influence on his pupils, Several of these have since become distinguished as writers and preachers, and have always been ready to acknowledge their indebtedness to Fr Sutton's early training. He did much to encourage independent literary composition in the students, and owing in no small measure to his kindly encouragement and direction, many of the pupils of those years laid the foundation of literary tastes and conceived intellectual ambitions which in some cases have since borne remarkable fruit.

In the Mungret Annual of Christmas, 1897 (p. 22) occurs an interesting reference to Fr Sutton by one of his pupils. The latter, then a secular priest, working on the American mission, sends to the Mungret Annual for publication a beautiful English translation of Horace's well-known ode, “Exegi Monumentum”, etc., and adds: “This ode always commended itself to me, both for the sentiment and the form ever since the time our attention was called to it by the dear old party. (sit venia nomini) to whose quiet, human and sympathetic treatment of the classics I for one can trace a large share of the happiness of my life”.

During all these years Fr Sutton was a frequent contributor to “The Irish Monthly”. Some of his article were on purely literary subjects. Many were very humorous. Several were more or less the meditations of a philosophic thinker on the problems of life, in culcating a broad, genial and hopeful view of its difficulties. In the “Mungret Annual” of June, 100 (pp. 48-49) (Jubilee Number) are found some interestin extracts from a historical poem* of his on “The Irish Education Question”, in which he humorously depicts Gladstone striving to hew down the “upas tree of British anti-Catholic bigotry”.

In 1895 Fr. Sutton was appointed Rector of Milltown Park and Professor of Dogmatic Theology. The latter function he retained only for a couple of years but he remained Rector of the College till 1903, when he again returned to Mungret as Vice-Rector. It was during his last years in Milltown Park that he began to take an enthusiastic interest in the Shakespeare-Bacon controversy, and contributed several articles to reviews in support of the opinion which identified the writer of the Shakespearian plays with Lord Bacon, the author of the Nouvm Organum. In 1903 Fr. Sutton published on this subject a book called “The Shakespearian Enigma”, which had only a limited success. To the end, however, he remained a convinced Baconian.

In 1905 Fr Sutton, whose health had begun to decline, was relieved of his duties as Vice-Rector when Fr T V Nolan was appointed Rector of the College. But Fr. Sutton remained in Mungret as a member of the College teaching staff till 1910. Being then no longer able to continue his work as master, he was transferred to St Stanislaus' College, Tullabeg. Here he spent the last eleven years of his life, happy and cheerful, remaining to the end a model of religious observance, and always maintaining a lively interest in his literary studies. During these years he continued to contribute to the “Irish Monthly”, “The Irish Ecclesiastical Record”, etc, articles mainly on literary and philosophical or theological subjects.

Fr Sutton was exceptionally interesting in conversation. He was widely read, and had a very retentive and accurate memory. In discussions during recreation with his own community he was looked upon as a kind of Samuel Johnson, whose opinion was constantly asked for and usually carried much weight; but he was entirely free from Johnson's dogmatism. His fund of anecdote was inexhaustible and his sense of humour and power of narrating personal experiences with humorous flavour were remarkable. His views of human life were very consoling and helpful. “God's wonderful plan in the world”, he used to say, “is like a piece of exquisite and perfect embroidery; but often we see only the seamy side of the pattern”. Hisconstant advice was: “Look on the bright side of things”. “It is a great act of charity to others”, he would say, “to look cheerful even when you cannot feel so!” In his spiritual life he had a specially strong devotion to the Blessed Virgin, and did much to instil the same into those with whose spiritual and religious formation he was entrusted. His humility and obedience were very remarkable, and the candour and honesty of his whole character were quite refreshing.

Fr. Sutton's pupils will sincerely regret his loss, and many others will cherish a respectful and affectionate recollection of him as a kindly, cultured and sympathetic teacher and a very sincere friend,

His happy death, the approach of which he often spoke of with peaceful longing, took place on Holy Saturday, April 15th, 1922, after a painful illness of some months. RIP

Born: 31 August 1904, Gardiner’s Hill, Cork City, County Cork
Entered: 01 September 1924, St Stanislaus College, Tullabeg, County Offaly
Ordained: 31 July 1939, Milltown Park, Dublin
Final Vows: 02 February 1942
Died: 02 February 1987, Nazareth House, 16 Cornell St, Camberwell, Melbourne, Australia - Australiae Province (ASL)

Part of Manresa, Hawthorn, Melbourne, Australia community at the time of death.

Father was a Civil Servant (Post office official) and family lived at Egerton Villas, St Luke’s, Cork.

Fourth of five boys with five sisters.

Early education was at a Convent school and then at North Monastery, Cork. He then went to CBC Cork for six years, and then went to St Finbarr’s College. He then went to UCC studying English and History.

Transcribed : HIB to ASL 05/04/1931

◆ David Strong SJ “The Australian Dictionary of Jesuit Biography 1848-2015”, 2nd Edition, Halstead Press, Ultimo NSW, Australia, 2017 - ISBN : 9781925043280
Edward Riordan came from a remarkable Irish family. Of five boys, three became priests and two doctors. All four sisters received a tertiary education. The Christian Brothers in Cork educated him before he entered the Society at Tullabeg, 1 September 1924.
Riordan's Jesuit studies were all in Ireland, and his secular studies in the classics were undertaken at the National University at the colleges in Cork and Dublin. He was sent to Australia for his regency at St Aloysius' College, Milsons Point, 1932-35. He was ordained, 31 July 1939, and arrived back in Australia in 1944. After two years as socius to the master of novices he was appointed master for sixteen years, and more than 100 Jesuits were formed by him. In 1961 he was assigned to profess theology, First in the diocesan seminary at Glen Waverley, then at Canisius College, Pymble. These were not the happiest years for him, as he was well aware of his limitations as a teacher of theology.
At the age of 67 Riordan volunteered to teach English in Lahore, Pakistan, for four years, then returned to Australia to work with the poor at Salisbury North, Adelaide. Living in a housing commission dwelling was not easy, privacy was hard to find, but he loved the people and was loved by them. They called him 'Ned'. After six years in this work he went to live with the homeless men at Corpus Christi Community, Greenville, Victoria, where the men praised him for being a hopeful sign of God's wisdom and true human dignity After four years his memory began to fade and he was forced to retire to the Hawthorn parish community The sisters at Nazareth House eventually cared for him. His memory had practically almost gone.
He was perceived by his novices to combine the rationality of John Fahy with the genuine affective devotion of John Corcoran. He taught his novices the deepest truths of the following of Christ, he lived by those truths as he taught them, and he carried them superbly into the life he led when his term as master of novices was over. His whole life was one of humble service The way he showed was an austere way, one of prayer, self-denial and fidelity He lived a life of great personal poverty and self-sacrifice. Rarely did his novices see the man who in his younger days had been a merry companion and the life of the party. He loved the stage and was a good actor and enjoyed proclaiming poetry and prose. Shakespeare was a particular love.
There was fire in Riordan, there were flashes of merriment but so much was suppressed. It was his understanding of his role. However, he mellowed in his latter years and entered into the spirit of the Second Vatican Council. In himself he was not an aloof person but very companionable. He was not a hard man, but rather had the gift of strong gentleness. He was at peace with himself, and content with his own company, deeply prayerful, and at home with the Blessed Trinity, a priest after the mind of St Ignatius Loyola.

◆ Irish Province News

Irish Province News 62nd Year No 2 1987

Obituary

Fr Edward Riordan (1904-1927-1987) (Australia)

31st October 1904: born. Ist September 1924: entered SJ.
1924-26 Tullabeg, noviciate. 1926-29 Rathfarnham, juniorate. 1929-32 philosophy: 29-'30 Milltown, 1930-32 Tullabeg.
5th April 1931: formally transferred to Australia.
1933-35 (three years) Australia: St Aloysius College, Milson's Point, North Sydney, regency.
1936-'41 Ireland. 1936-'40 Milltown Park, theology, 31st July 1939: ordained a. priest, 1940-41 Rathfarnham, tertianship. (Late 1941: probably travelling to Australia. 1942: the Australian catalogue lists him among its overseas members in Ireland, while the Irish catalogue makes no mention of him, not even among the Australian Jesuits residing in Ireland. He may have been in an intermediate position - on the high seas – when both catalogues were being edited.) .
1943-70, 1975-87 Australia.
1943-61 Loyola College, Watsonia (Melbourne area): 1943-44 socius to the master of novices; 1945-61 Master of novices. 1962 Corpus Christi college, Glen Waverley (Melbourne area), professor of dogma, spiritual father to the seminarians. 1963-68 Canisius college, Pymble (Sydney area), professor of theology (1963-65 minor course, 1966-68 dogma; 1964-67 prefect of studies). 1969-70 Jesuit Theological College, Parkville (Melbourne area), professor of dogma, spiritual father.
1971-74 Pakistan: Loyola Hall, Lahore, pastoral work, giving Exercises.
1975-80 South Australia. Adelaide area, pastoral work, mostly in Salisbury North, while residing in Manresa, Norwood (1975), St Ignatius College, Athelstone (1976-78), and Salisbury North itself (1979-80).
1981-'7 Melbourne area: 1981-84 Corpus Christi men's hostel, Greenvale, pastoral work. 19858-6 Immaculate Conception residence, Hawthorn, praying for Church and Society. 20th February 1987: died.

“Ned came from a remarkable Cork family. Of the five boys, three became priests and two, doctors. All four girls had a tertiary education. His sister Una was due to revisit him in April. (Miss Una Riordan, 5 Egerton villas, Military hill, Cork.)

Born: 26 July 1904, Bantry, County Cork
Entered 31 August 1923, St Stanislaus College, Tullabeg, County Offaly
Ordained: 24 June 1937, Innsbruck, Austria
Final Vows: 02 February 1940, St Stanislaus College, Tullabeg, County Offaly
Died: 19 November 1977, St Ignatius, Lower Leeson Street, Dublin

Father was a Ntional School Teacher.

Only boy with one sister.

Early education was at a National School until age 14, when he went to St Colman’s College, Fermoy gaining a Rice scholarship. In 1921 he went to the North Monastery, Cork City. He then went to UCC for one year studying engineering.

by 1929 at Eegenhoven, Leuven Belgium (BELG) studying
by 1935 at Innsbruck, Tirol, Austria (ASR) studying
by 1939 at St Beuno’s Wales (ANG) making Tertianship

◆ Royal Irish Academy : Dictionary of Irish Biography, Cambridge University Press online :
O'Sullivan, Donal
by Lawrence William White and Aideen Foley

O'Sullivan, Donal (1904–77), priest and arts administrator, was born Daniel Joseph Sullivan on 27 July 1904 in Donemark, Bantry, Co. Cork, the only son among two children of John Sullivan, a national school teacher, and Mary Anne Sullivan (née Keohane). After receiving primary and secondary education locally, he entered the Jesuit novitiate at Tullabeg (Rahan), near Tullamore, Co. Offaly (1923). He pursued undergraduate studies at UCD till 1928, then studied philosophy in Eegenhoven, Belgium. He taught at Clongowes Wood college, Co. Kildare (1931–4), before studying theology for three years in Innsbruck, Austria, where he was ordained a catholic priest (24 June 1937). He completed his theology studies at Milltown Park, Dublin (1937–8). After a brief period spent giving missions and retreats, he became rector of the philosophate at Tullabeg (1940–47); during these years he ministered to republican prisoners in Portlaoise prison, with whom he enjoyed some credibility owing to his family having supported the anti-treaty side during the civil war. He was rector and novice master at Emo Court, Portarlington, Co. Laois (1947–59). Thereafter he belonged to the Jesuit community at St Ignatius Residence (House of Writers), 35 Lower Leeson St., Dublin.

Anticipating the reforms of the second Vatican council, O'Sullivan promoted among fellow clergy a more sensitive and artistic presentation of the liturgy, especially the mass. Through encouragement and facilitation of patronage, he contributed to the mid-twentieth-century revival in standards of catholic ecclesiastical art in Ireland. Enjoying a long friendship with stained-glass artist Evie Hone (qv), he arranged the placement of her work in churches and religious houses throughout the country, and commissioned one of her most notable achievements, the five windows for the new community chapel at Tullabeg (1946). After Hone's death, he helped organise the major memorial exhibition at UCD, Earlsfort Tce (1958). Appointed to the Arts Council in 1956, he served for thirteen years as the body's director (1960–73). Overseeing a redefinition of the council's responsibilities based on an appraisal of needs and resources, he directed activities and expenditure away from support for music, drama, and dance, to a concentration on the fine visual arts, his own area of primary interest and expertise. At the suggestion of council member C. S. ‘Todd’ Andrews (qv), he initiated a scheme whereby the Arts Council purchased paintings and sculptures by Irish artists for resale at half-price to public institutions and state-sponsored bodies, including schools, CIÉ hotels, and local authorities. Securing the appointment of an Arts Council exhibitions officer, he attracted important travelling exhibitions to Ireland, including the influential ‘Art: USA: Now’ exhibition (1964). His encouragement of the preparation of carefully researched catalogues to accompany such exhibitions helped stimulate the emergence of art history as a discipline in Irish universities. He brought to Dublin an exhibition of works by the controversial Irish-born artist Francis Bacon (qv) (1965), and encouraged the highly successful Rosc exhibitions of 1967 and 1971 at the RDS, which introduced Irish audiences to a large selection of contemporary international art. His foremost achievement was the formation (1961) and development of the Arts Council collection of contemporary Irish painting and sculpture, comprising some 800 purchases by 1969; the initiative stimulated the establishment of similar collections by private interests, and thus proved an important catalyst of patronage.

Through such initiatives, O'Sullivan dynamically promoted an understanding and acceptance of modern art in Ireland, thereby helping effect a revolution in public taste. However, in exercising his personal preference for abstract works in the prevalent international hard-edge style, he controversially neglected not only artists practising more conservative styles, but also the emerging school of expressionist figurative artists, leading to accusations of confusing artistic merit with private taste, and failing to represent and support the full range of contemporary painting styles in Ireland. Accused of practising an autocratic style of leadership, early in his tenure he led the council into two highly contentious decisions on planning issues, by advising the relevant local authorities to approve demolition of a row of Georgian buildings in Lower Fitzwilliam St., Dublin, to allow construction of a modern office block for the Electricity Supply Board (ESB), and to approve location of a nitrogen factory on an historic and scenic site near Arklow, Co. Wicklow; both decisions embroiled the Arts Council in febrile public rows. He excluded various popular and traditional forms from the range of art eligible for Arts Council support, favouring the fine and applied arts over genres that he regarded as primarily participatory. Ignoring the important 1960s revival of folk and traditional Irish music, he was also accused of inadequate support for artistic activity outside of Dublin, and for work in the Irish language. His approach implied an elitist concept of art as an activity of professionals producing work of a high standard (as determined by presumed experts) for the aesthetic appreciation of a consuming audience that was largely middle-class and urban, and ran against the demotic spirit of the 1960s and prevailing international trends in arts policy.

O'Sullivan was a founding director of the Kilkenny Design Workshops (1965–77) and of the stamp design committee. He served on the editorial board of the Jesuit periodical Studies, to which he frequently contributed. Intimidating to some associates, inspiring to others, he concealed a fundamentally withdrawn, contemplative nature beneath an opinionated, supercilious persona. Recent biographers of the English writer Graham Greene have alleged that over many years from the late 1940s O'Sullivan was involved in a sexual relationship with Catherine Walston (1916–78), the beautiful, impetuous American-born wife of a millionaire British financier, whose overlapping relationship with Greene inspired the latter's novel The end of the affair (1951). After retiring from the Arts Council, O'Sullivan was superior to the Jesuit residence on Leeson St., where he died on 19 November 1977

Jesuit Year Book (1974), 145–6 (photo.); Ir. Times, 21 Nov. 1977 (obit. and photo.); Irish Province News [Jesuit], xvii, no. 1 (1978), 28–32; Brian P. Kennedy, Dreams and responsibilities: the state and the arts in independent Ireland (c.1990) (photo., 131); Michael Sheldon, Graham Greene: the man within (1994); William Cash, The third woman: the secret passion that inspired The end of the affair (2000), 209–13

◆ Irish Province News

Irish Province News 51st Year No 2 1976

Leeson Street
Since the last issue of the Province News, our Superior, Fr Donal O’Sullivan, was the recipient of a signal honour from the French Government. This, l’Ordre National du Mérite, was conferred on him in recognition of his services in promoting French culture, especially in artistic fields. At the presentation the Ambassador, M Pierre du Menthon, mentioned the keen pleasure it gave him, a past pupil of the Society, to confer this order on Fr O’Sullivan

Irish Province News 53rd Year No 1 1978

Leeson Street
Fr Paul Leonard has been appointed Superior and his immediate predecessor, Fr Donal O’Sullivan died. For quite some time Fr O’Sullivan’s health had been deteriorating steadily. During a visit to Cork in the summer he was taken to hospital with heart trouble and on his return to Dublin he spent a long and tedious period in the Mater Hospital, suffering from several serious complaints. He longed to return home to his room in Leeson street and his doctor finally gave him permission to re-join the community at the end of October. But he became steadily weaker and on 19th November he died unexpectedly but very peacefully. May he rest in peace.

Obituary :

Fr Donal O’Sullivan (1904-1977)
Father Donal O’Sullivan SJ, died unexpectedly, although after a long illness, in Dublin, on Saturday, 19th November.
He was born in Bantry (Cork) on July 26th, 1904 and entered the Noviceship in Tullabeg on August 31st, 1923. Of the normal Jesuit studies he was at Egenhoven, Belgium for Philosophy (1928-1931) and studied three years of Theology at Innsbruck where he was ordained on June 24th 1937: he completed his theology course at Milltown Park 1937-1938.

He was Rector of the Philosophate at Tullabeg from 1940-1947; and went to Emo in 1947 where he was Rector. He was Master of Novices there from 1947-1959. He was in Leeson Street from 1959 until his death on December 19th, 1977. For some of these years he was Spiritual Father to the students at University Hall and was Director of the Arts Council (a State Body) 1960-73. Father Ó Catháin, a contemporary, helps us more fully to understand the great interests and achievements of Father Donal.

Father Ó Catháin writes: Father Donal O’Sullivan is probably best known for his work as Director of the Arts Council from 1960-73. Mervyn Wall, who was Secretary to the Council in those years, has written about that side of his work. He was also a director of the Kilkenny Design Workshops, as Mr. Wall writes, until June of this year. In addition he was a founder member of the Stamp Design Committee and was active on that Committee up to his death.
These were what might be called his external, public, activities. In addition, or even of greater importance, though parallel with them, was what he did in two areas of the spiritual life of this country. Long before the modern post-Vatican stress on the liturgy became fashionable, he did all he could, by example and encouragement, to promote a seemly and beautiful presentation of the liturgy, of the Mass in particular. In this way he influenced not only the young Jesuits whose novice-master he was for twelve years, but also many lay-people whose spiritual life he directed.
In addition he encouraged artists, both young and well-established, to give of their talents to the glorifying of God's house. His friendship with Evie Hone resulted in the appearance of many of her best works in churches throughout Ireland. Probably the most striking collection of them is the windows in the Community Chapel in what is now the Jesuit Retreat House near Tullamore, commissioned by him when he was Rector there in the years 1940-47.
One little-known activity of his was his work among the political prisoners in Portlaoise jail in the early mid-forties. Coming as he did of a family which had chosen the Republican side in the civil War, he had what would now be called “credibility” with many of these men. He would not wish any details of that work to be known; but there must be many still alive of those men he helped who will remember him with gratitude when they see the announcement of his death.

Mervyn Wall writes: many years ago Fr O’Sullivan helped in setting up an Evie Hone exhibition in University College, Dublin. So successful was this exhibition that he was appointed a member of the Arts Council in 1957. On the death of his predecessor, Mgr. Pádraig de Brún in 1960, he was appointed by the President to the post of Director of the Council. He was twice re-appointed and served as Director for thirteen years until the Arts Council Act of 1973 extended the powers and membership of the Council.
During his term of office his particular interest was the promotion of contemporary art. He was interested in Swedish design and cooperated in the visit of some of its experts on a visit to Dublin which resulted in a valuable report on commercial Design in Ireland. This report led to the establishment of the Kilkenny Design Workshops of which he was one of the founding Directors; he remained on the Board until June of this year. He also acted as Chairman of the committee on Stamp Design, set up as an advisory body by the Minister of Posts and Telegraphs.
While he was chairman of the Arts Council many important exhibitions of contemporary Art were brought to Dublin under the auspices of the Council. These included an exhibition of German church architecture and exhibitions from the Netherlands, Norway, Germany, and from the U.S.A. and Britain. More recently, he had the courage to bring to Dublin an exhibition of the work of the controversial English Artist, Francis Bacon. He was active in giving all the help he could to the Rosc exhibitions and in building up the Arts Council's collection of Contemporary Irish Paintings which he accompanied on a tour of the Scandinavian countries. A valuable scheme which he initiated was the purchase of paintings and sculpture by Irish artists for re-sale at half-price to public institutions and hotels.

In an appreciation in the Press by James White we read: “His closest collaborator and friend in the Arts Council was Michael Scott the architect for whom he had unbounded admiration. Together they could sway opposition and dare projects that others might find forbidding. But those who came close to them have been inspired by the conviction that when faith is well anchored, then nothing should deter one.
The Rosc exhibitions are a typical example. The first two mounted in the RDS in an unsuitable setting somehow achieved the impact of a major international success which has put Dublin on the record of every Art institution in the world. More important from a native point of view, was the impact which they had made on our national consciousness. They gave our complacency a jolt from which we will never recover”.

Father Ó Catháin concludes: “He also tried to help, within the limits of the government grant to the Council and in a quiet and private way, struggling young artists in whom he recognised the promise of talent. He did not always receive the thanks he merited, but it can be said of him that, - fortunately, perhaps - he did not work for thanks. He was interested rather in bringing Ireland out of a sterile academicism into the life of European and World Art.”

From 35 Lower Leeson Street, Father Peter Troddyn writes concerning Father Donal O’Sullivan’s Collaboration with editors of “Studies”:
For many years Father O’Sullivan was a valued collaborator with successive editors of STUDIES. His name was signed to many book reviews over a very long period. Those reviews were always readable, well-judged in length according to the worth of the books under review, and giving just the right account for a reader of that worth, For an editor, he was the ideal reviewer: he never accepted a book without delivering his review of it on time, no matter how busy he might be: and the review was always ready for printing just as it came from his typewriter, requiring not even minor editing. He was a member of the STUDIES editorial board. In this capacity he read many articles sent for publication, and would give a shrewd - and again prompt - assessment of them. His advice helped to shape the contents of many issues of the magazine. That advice was always well-balanced and constructive, objective and solidly-based on his own wide reading in many fields. Such collaborators for any magazine are not easily found, nor easily replaced.

One who was a novice under Fr O’Sullivan's period as Master of Novices was Father Michael Sheil, now Deputy Headmaster in Clongowes Wood College. He was a great friend of Father Donal and was at his decoration by the French Embassy with the Légion d'honeur as his special guest.
Father Shiel very kindly found time from among his many duties to send the following tribute: “The first thing that comes to mind when I think of Fr Donal was his breadth of vision and his courage to carry out many of his liturgical 'innovations' at a time when they were not fashionable. He used often to say to us in the Novitiate that the worst enemies of the Liturgical movement were those who were too. enthusiastic' and also "too impulsive and unreflective.
One of his great phrases used to be that ‘grace builds on nature’ and he certainly lived that out in his own life. He is for me an example of a Jesuit ‘Finding God in all things’.
He also gave to us insular and just-our-of-school novices some concept of the world-wide body of the Society - he used always talk of the ‘Company of Jesus’, not the Society!
After the usual ‘anti-Mag. Nov’ feelings which most experienced in the years immediately after the noviceship, it was extraordinary to see the position of respect and affection with which Donal was held by us.
His obvious enthusiasm for the Arts was rubbed off to some extent on us and his attempts to educate us in this field in Emo were not without fruit! I think that he saw the Liturgy as a form of visual art, leading men towards God, and his own reverential attitude at Mass, linked to the majesty of the Liturgy, signified to us the posture of man-in-communion-with-God.
His familiarity with the Constitutions was striking - I remember how much he was opposed to some of the changes proposed in the early 70s. Yet, who can forget his intervention at the first. Province Meeting in Rathfarnham in 1973, when, having done a volte-face after considering further the reasons for such changes, he persuaded the gathering there that it was best to remain in ‘plenary session’ so that ‘the voice of the Province may be heard’. And I will always remember his homily at the closing Eucharist of the '75 meeting in Milltown.
Donal was a ‘Man-before-his-time’. What he sowed others will reap - may we be worthy to follow in his footsteps, as we have walked in his shadow. His death marks the end of an era”

Another former novice under Father O'Sullivan, Father H S Naylor, of Wah Yan College, Hong Kong, wrote an appreciation of Father O’Sullivan's work as novice-master. The appreciation included the following warm words: “I have many friends in the Society, and many more whom I have admired and now respect, but Donal O'Sullivan was the greatest of them all. I had the opportunity to say this to him as we walked up and down the garden in Leeson Street this (1977) June. He was tired of being Superior, which he had been since he left the Tertianship, and though hopeful for the future he was perplexed by the modern Society, and personally anxious about his health.
I had said that I owed it to his formation that I could sail through the changes of the Second Vatican Council and the problems that came with it. He was a man well ahead of his time, and prepared us well for the Society in the Sixties. Time and time again, in retreats and preparation of talks, I have used materials he gave us or was inspired by things he had said”.

2021, Damien Burke notes.
Daniel Joseph Sullivan - educated locally until fourteen, then three years at St Colman's College, Fermoy, Cork on a Rice scholarship. One year at the North Monastery, Cork and then, University College Cork in 1921. Studied 1st Engineering, but took no exam.

Will of Evie Hone, 10 November 1954: 'To Fr Donal O'Sullivan SJ the sum of One Hundred Pounds to be expended by him for artistic purposes or the purchase of livestock for the Order'; 'I Give and Bequeath my Roua Acquitant to Fr O'Sullivan SJ'. Will states the 'I I Give and Bequeath unto my said sister Mrs Nancy Connell and my friend Mrs Harrie Clarke all my paintings being my own work'.

Codicil to the will of Anna Frances Connell, 11 March 1957. 'AND as regards Copy Rights of any of the works of my said sister Evie Hone I DIRECT that the control of the same shall be under, in the hands of and in the sole discretion of the said Father D. O'Sullivan and Mr Leo Smith or such person or persons as they or the survivors of them shall select or appoint.