File 167 - Fr Mortimer Glynn SJ

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IE IJA J/167

Title

Fr Mortimer Glynn SJ

Date(s)

  • 1928; 1952 (Creation)

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5 items

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Name of creator

(30 December 1891-11 August 1966)

Biographical history

Born: 30 December 1891, Richmond Terrace, Limerick City, County Limerick
Entered: 24 March 1914, St Stanislaus College, Tullabeg, County Offaly
Ordained: 31 July 1924, Milltown Park, Dublin
Final Vows: 02 February 1928, Belvedere College SJ, Dublin
Died: 11 August 1966, St Vincent’s Hospital, Dublin

Part of the Catholic Workers College, Ranelagh, Dublin community at the time of death

Educated at Mungret College SJ & Crescent College SJ

by 1917 at St Aloysius Jersey Channel Islands (FRA) studying

1926-1927 Tertianship at Tullabeg

◆ Irish Province News
Irish Province News 41st Year No 4 1966
Obituary :

Fr Mortimer Glynn SJ (1883-1966)

Fr. Mortimer Glynn was educated at the Jesuit College, The Crescent, Limerick, Before entering the Jesuit Novitiate at Tullabeg in 1914, he had been a clerk in a Dublin insurance company. He was older at twenty-three than the average novice, yet he was a good “mixer”, congenial and blessed with a rich sense of humour. To his fellow-novices he seemed of frail health but on the football field or in the handball alley or leading a “company” on villa-day walks, he displayed amazing energy. His noviceship completed, he spent a short time at Rathfarnham Castle. He was in his twenty fifth year when he was sent directly to philosophy on Jersey Island, where the Paris Province had a house of studies. The First World War interrupted his third year and all the members of the Irish Province were recalled from the continent to the newly-established philosophate at Milltown Park. His three years “colleges” were spent at Mungret (1920-1923). Along with his duties as teacher in the classroom, he had charge of the boys' choir. As choir master, he was in his element, he possessed a good tenor voice and the gift of conveying to the boys the beauty of good singing. His theology was studied at Milltown Park and at the end of two years (profiting by a war privilege) he was ordained priest on the feast of St. Ignatius, 31st July 1925. His tertianship was spent at Tullabeg (1927). His next assignment was to Belvedere College. He was to spend twelve years at Belvedere and these years were probably the most remarkable in his life. He held a variety of offices and all with distinction. He was master in the junior house, choir master to the senior and junior houses, Minister for four years, Editor of The Belvederian and Spiritual Father to the community (1939). But it is as pioneer and producer of a very successful series of Gilbert and Sullivan operas that his name will be for ever linked with the history of music and theatricals in Belvedere College. Members of the community of this time will recall his uphill struggle to carry out his conviction that he could teach the boys a love of acting and an appreciation of the music of Gilbert and Sullivan. It certainly seemed unlikely that one so shy and retiring as Fr. Glynn, could succeed in ultimately making the college “opera-week” the talk of the town. Yet, that is what he achieved. Opera week became a social attraction; dignitaries of Church and State gladly accepted invitations; other schools in the city, envious of these triumphs sought to introduce the operas into their own schools. During opera week at Belvedere a peculiar atmosphere of joyful expectancy hung about the college and the Rector (Fr. P. Morris) often said, “if I wanted to reward a benefactor of the house, I would send him an invitation to opera week!” This was reported to Fr. Mortie, and he was intensely amused by the compliment. More than one professional producer came to learn from Fr. Glynn's arrangements of the stage with its enormous cast (for every mother wished her boy to be included in the conquests of this week). Another producer doubted that the cast was composed only of boys on the college roll, he asserted that past Belvederians supplemented the cast. Only when he was introduced to the cast enjoying a high tea in one of the parlours did he admit his error of judgment. Were we to try to analyse the source of Fr. Glynn's unquestionable success, we might mention a number of factors. He was an artist himself; could portray before the startled boys the various quips and gestures that suited a stage character; he could dance the required steps; he could sing any aria in the score; he could invent graceful movements which gave life and colour to the chorus; and he was so gentle and persuasive that the boys took courage and imitated what they had seen so wonderfully portrayed. Past Belvederians soon founded a Musical and Dramatic Society of their own and attributed their popularity and achievements to what they had learned from Fr. Glynn.
In 1940 Fr. Glynn's health showed signs of deterioration. A change of work, specially church work, appealed to him. He came to St. Francis Xavier's Church, Gardiner Street, and soon established himself as a kind confessor. He had charge of the youths' sodality and endeared himself to the boys and the leaders. He was settling down to this congenial work when he was appointed to a still more important work, Spiritual Father to the community of Rathfarnham Castle. Here he was to spend seven years (1941-48). He proved to be a wise counsellor and those young in heart found in him a sympathetic listener. He had experienced life in the world prior to entering the Society, and he often said that we all need imperatively is encouragement in serving our Good Master. He would be the last man to reveal his personal devotions or acts of piety. Yet, he couldn't hide from others his particular love of Our Lord in the Blessed Sacrament. His furtive and frequent visits to the chapel were known to all who lived with him. In 1949 he returned to his alma mater, the Crescent, Limerick, where he was given the church work he loved. He had the direction of the Arch-Confraternity of the Bona Mors; and often preached on the blessings of dying in God's friendship. His former interests: in the stage and musical comedy were revived by contact with the Cecilian Musical Society, formed by past boys of the Crescent College. He became again the producer and met with the same phenomenal success. On one occasion over sixty of the past Belvederians travelled from Dublin to attend one of his productions. Little did they realise how sick a man he really was. First it was rheumatic fever; later he spent several months in hospital and was considered in danger of death. Tuberculosis was diagnosed and he was ordered to a sanatorium. He came to St. Mary's Chest Hospital, Phoenix Park, Dublin, in the summer of 1951 and for the next fifteen years he was an invalid. He refused to surrender. In St. Mary's Hospital he was fortunate to find as Chief Medical Officer, Dr. Kevin McArdle, who for many years was to do so much to lessen the hardship of his life by devoted personal friendship and consummate professional skill. Fr. Glynn showed incredible courage and determination. Doctors, nurses and visiting patients of the hospital were amazed at his hidden vitality. Sometimes Fr. Glynn improved so much that he was able to walk about the hospital and grounds. One might have thought he was permanently cured. In 1953 he was sent to Manresa Retreat House, where a former sports' pavilion was turned into a bungalow, admirably suited to his needs. Friends he had made in hospital and whose confidence he had won used come to see him. Occasionally, he was able to hear confessions in the retreat house. One official, attached to a golf club, said of him: “he was the gentlest priest I ever came across”. After eight years at Manresa, during which there were frequent visits to St. Mary's Hospital, a change of house was recommended by his doctor. He was appointed to the Catholic Workers' College. This house was to be his happy home for the last four years of his life. He endeared himself to everybody. For some months he was “up and doing”, then came spells of real sickness and exhaustion. He was so weak at times in these last years that people visiting him would not have been surprised to see him die. There were moments of complete helplessness when his breathing was extremely difficult and he was a pathetic sight to see. But no complaint was heard on his lips. The end came on Thursday, 11th August, in St. Vincent's Private Hospital. He had been suffering acute abdominal pains. An operation was thought advisable and Fr. Glynn was anxious that it should be tried. He rallied for some time after the operation but soon began to lose whatever strength he had gathered the previous days. He was well prepared to meet his Good Master (only Fr. Glynn could tell how often in his 75 years he had been fortified with the sacraments for the sick). It was his apostolate for nearly sixteen years to preach from a sick bed or from inside his room those strong Christian qualities : patience, courage in bearing pain, resignation to the will of his Creator, gentleness above all things. The last quality will always be associated with him by those who knew him well whether in the Society or outside it, the doctors, nurses, fellow-patients, penitents and the domestics of the hospitals and houses of Ours. “Well done! thou good and faithful servant, enter into the joy of thy Lord!” could well have been Our Lord's greeting to the soul of Fr. Mortimer Glynn.

◆ The Belvederian, Dublin, 1967

Obituary

Father Mortimer Glynn SJ (OB 1908)

Fr Morty Glynn died after a severe illness on 11th August last. For the last fifteen years of so of his life he had been practically an invalid though, apart from relatively short periods in hospital, he continued to reside in various Jesuit houses. When he had entered the Society in 1914, older than the average at his age of twenty-three (he had been working as an insurance clerk), Fr Morty seemed to be of frail health but nevertheless capable of great energy. With his sense of humour he was an amusing companion. After the novitiate he studied in France for a time, then taught at Mungret College. He was ordained in 1925 and two years later was assigned to Belvedere.

Fr Glynn's twelve years in Belvedere College were quite remarkable. He held a variety of offices : master in the junior house, choir master to the senior and junior houses, minister for four years, editor of The Belvederian (1937), and Spiritual Father to the community. But it was as pioneer and producer of a very successful series of Gilbert and Sullivan operas that he will be best remembered. It seemed unlikely that so gentle and retiring a person as Fr Glynn could succeed in making the college “opera week” the talk of the town - yet that is what he did. The week became a great social attraction and seems to have led to the introduction of operas in other city schools. During the opera week there was a great atmosphere in Belvedere; invitation cards were much sought after. But the crowds came not merely for a social occasion; they were attracted principally by the high quality of the offering.

Fr Glynn was correct in his conviction that he could teach the boys in his casts a real love of acting and an appreciation of music. One measure of his success was the formation of the Old Belvedere Music and Dramatic Society formed by past pupils who attributed much of their success to what they had learned from him. Even professional producers came to learn from Fr Glynn's handling of the large opera casts. An artist himself, he could portray for the boys the actions of any character, dance the required steps, sing any song; his persuasive manner led the boys to imitation and thence to those wonderful productions which reached such a high standard for school performances.

In 1940 Fr Glynn's health showed signs of decline and over the next ten years he was in a succession of Jesuit houses in an effort to find some clime where he could continue to do good work. One place to which he was very happy to return was Crescent College, where he had been at school before coming to Belvedere. His former interest in the stage was revived by contact with the Cecilian Musical Society, formed from past pupils. Again he became a most successful producer. On one occasion over sixty Old Belvederians travelled from Dublin to attend one of his productions.

But by this time Fr Glynn was a really sick man. He spent some time, seriously ill, in hospital and in 1953 had recovered just sufficiently to take up residence in Manresa Retreat House. There many friends he had made in hospital came to see him. After eight years in Manresa he was stationed in the then Catholic Workers College, now known as the College of Industrial Relations. This house was to be a happy home for him during the last four years of his life. In those years he suffered greatly, and impressed greatly everybody who came in contact with him. They witnessed his great patience, courage and resignation; above all perhaps the gentleness that had characterised him all his life. It was in fact his apostolate during his later years to preach those virtues by example from his sick bed. The end came peacefully in hospital; Fr Morty was surely well prepared to meet his Master. God rest his soul.

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